All posts tagged: poetry

Mothers by Rachel Zucker | edge of evening

Mothers

And then I was a mother. The mother. And all my mothers could not save me.Mothers by Rachel Zucker It’s hard to remember quite how I came to be having a Rachel Zucker phase. I hung out with this poem by Jenny Browne for quite a while earlier in the year and, as much as I loved the poem, I also loved Zucker’s assessment of it as, ‘a delightfully strange poem: seductive but not coy in its disclosures’. (A dusty post-it note stuck my copy of the poem says ‘inhabiting a poem’, a phrase from an interview with Sarah Howe. Howe, I later discovered, like Zucker, was once a student of Jorie Graham.) There was a phase of internet obsession with Zucker: reading some of her poems, finding out that she’s a mother of three sons, that she’s trained and worked as a doula. That she writes about the messy, the real, the concerns of life and of motherhood: My poems have trash in them. Also: soccer balls, puke, toddlers, the New York City subway, dirty …

Viburnum | edge of evening

As if your life depended on it

You must write and read as if your life depended on it. That is not generally taught in school. […] To read as if your life depended on it would mean to let into your reading your beliefs, the swirl of your dreamlife, the physical sensations of your ordinary carnal life; and, simultaneously, to allow what you’re reading to pierce the routines, safe and impermeable, in which ordinary carnal life is tracked, charted, channeled. […] To write as if your life depended on it: to write across the chalkboard, putting up there in public words you have dredged, sieved up from dreams, from behind screen memories, out of silence — words you have dreaded and needed in order to know you exist. from ‘As if your life depended on it’ by Adrienne Rich, in ‘What Is Found There: Notebooks on Poetry and Politics’ It comes back to this then: starting over. Slowly, intentionally. Choosing what to set aside and what to do. Stacking up the days, each the same as the last. I’ve found that repetition …

Window with baubles | edge of evening

January First

The year’s doors open like those of language, toward the unknown. Last night you told me:                                               tomorrow we shall have to think up signs, sketch a landscape, fabricate a plan on the double page of day and  paper. Tomorrow, we shall have to invent, once more, the reality of this world. from ‘January First’ by Octavio Paz, translated by Elizabeth Bishop with the author   Sketch a landscape, fabricate a plan. Here’s a blank page for the filling. Let’s go toward the unknown. Happy New Year! x

Prosaic, with possibilities

The older children are back at school. Possibility quickly collapses into the usual rhythm of school days, swimming lessons, reading-books, and packed lunches. The Moose has once more declared himself a vegetarian. ‘Where do carrots come from?’ he asks me suspiciously and I try to remind him of the summer we grew them in a window box by the back door. T has given out her birthday party invitations and soon it will be time to hang out the bunting. For the first time she is maintaining the list of invitees and acceptances herself, carefully ticking friends off in the notebook she picked out in a French supermarket. I’m trying to feel my way back into everything. I seem to be reading far too many books at once. Currently in progress: The Story of a New Name, the second of Elena Ferrante’s Neapolitan cycle, which I’m reading hungrily ever minute I can; Renata Adler’s Speedboat, paused while I gulp my way through the Ferrante; Tinkers by Paul Harding, also paused at almost the mid-point and …

Freshening the world

Poems that change our perceptions are everywhere you look, and one of the definitions of poetry might be that a poem freshens the world.   By writing poetry, even those poems that fail and fail miserably, we honor and affirm life. We say “We loved the earth but could not stay.” The Poetry Home Repair Manual, Ted Kooser From my morning reading, a little re-visit to Ted Kooser’s slim and wise book. I love Kooser’s practicality and warmth; his wonderfully simple definition of what a poem can be, of what we might aim for when we’re writing. But oh, that ‘could not stay’…really, can I really not stay? It will never be enough. We found this blackbird’s egg on the pavement as we walked to school one day last week. The Moose took it to pre-school and now it’s disappeared into T’s classroom. I wish I could let you hold it in your hands, feel how paper-thin that beautiful blue shell is, how it seems it would shatter at the lightest touch. Then there was …